Comics: A Better Means To An Artistic End Essays -- Argumentative Pers

Comics A Better Means To An Artistic give the axeIf a line of symmetry were to be drawn down the center of the paper, it would have the appearance _or_ semblance that each character rests within his environment about to collide with the other. even so without words, a vivid story begins to dramatis personaeulate in my mind, and hopefully I character the artists vision.Comic book art is the Pez dispenser of modernism. The aesthetics of this accessible medium walkway side by side with pop culture. No other art form can reach so many people due to its undreamt volume. Each Wednesday of every week brings new issues of titles that have been in circulation for decades. Despite the extensive numbers that arrive at retailers each month and the respect they sometimes receive (like Art Speigelmans Pulitzer Prize winning Maus), comics be under appreciated in the literary world, but why? They use a clever nerve of symbols to express concepts shared by all people in their own companion able environment, and provide more tools than conventional art to truly show dainty intention.Comic artists choose to express personal thought with world(a)ly complex themes by dint of a symbolic medium. No one refutes the idea that comics do not demonstrate realistic form. Comic artists do not attempt to portray the fair beauty of the natural world rather, they try to relate a universal idea with a stylistic approach. Magrittes painting of a pipe with the inscription, this is not a pipe, at the bottom demonstrates the way in which comic books are misunderstood. In his explanation of the art form, Scott McCloud uses pictures of various characters following Magrittes structure. For example, he draws a picture of a cow and states that this is not a cow (McCloud 26). The pictures only resemble what we a... ... connection. A conventional expressionist must assume that the observer realizes the purpose of his or her art. many an(prenominal) people see a portrait as just a portrait, when the mood and the intricate detail of the face add to its meaning. Comics, on the other hand, are expected to be symbols enveloped in a detailed history that replaces the move bridge between reader and artist with a strong one hang up by invisible messages from creator to potential viewer, messages anyone can see. Works CitedCarrier, David. The esthetics of Comics. University Park The Pennsylvania State University Press, 2000. Crain, Dale, ed. Batman Black and White. New York DC Comics, 1998.McCloud, Scott. Understanding Comics The camouflaged Art. New York Harper Perennial, 1993.Thompson, Don, and Dick Lupoff, eds. The Comic-Book Book. New York Arlington House, 1973. Comics A Better Means To An Artistic End Essays -- Argumentative PersComics A Better Means To An Artistic EndIf a line of symmetry were to be drawn down the center of the paper, it would seem that each character rests within his environment about to collide with the other. Even without words, a vivid story begins to formulate in my mind, and hopefully I share the artists vision.Comic book art is the Pez dispenser of modernism. The aesthetics of this accessible medium walk side by side with pop culture. No other art form can reach so many people due to its incredible volume. Each Wednesday of every week brings new issues of titles that have been in circulation for decades. Despite the vast numbers that arrive at retailers each month and the respect they sometimes receive (like Art Speigelmans Pulitzer Prize winning Maus), comics are under appreciated in the literary world, but why? They use a clever organization of symbols to express concepts shared by all people in their own social environment, and provide more tools than conventional art to truly show artistic intention.Comic artists choose to express personal thought with universally complex themes through a symbolic medium. No one refutes the idea that comics do not demonstrate realistic form. Comic artists do not attem pt to portray the simple beauty of the natural world rather, they try to relate a universal idea with a stylistic approach. Magrittes painting of a pipe with the inscription, this is not a pipe, at the bottom demonstrates the way in which comic books are misunderstood. In his explanation of the art form, Scott McCloud uses pictures of various characters following Magrittes structure. For example, he draws a picture of a cow and states that this is not a cow (McCloud 26). The pictures only resemble what we a... ... connection. A conventional expressionist must assume that the observer realizes the purpose of his or her art. Many people see a portrait as just a portrait, when the mood and the intricate detail of the face add to its meaning. Comics, on the other hand, are expected to be symbols enveloped in a detailed history that replaces the wobbling bridge between reader and artist with a strong one suspended by invisible messages from creator to potential viewer, messages anyone c an see. Works CitedCarrier, David. The Aesthetics of Comics. University Park The Pennsylvania State University Press, 2000. Crain, Dale, ed. Batman Black and White. New York DC Comics, 1998.McCloud, Scott. Understanding Comics The Invisible Art. New York Harper Perennial, 1993.Thompson, Don, and Dick Lupoff, eds. The Comic-Book Book. New York Arlington House, 1973.