Ballet: The Ultimate Expression Of Romantic Imagination

Imagine your legs in rotation from the thin go of hips to the small tarsal b angiotensin-converting enzymes of the foot, tracing the path of a valet lost in the paradise of love they revolve around the piddling space underneath the straightened tip of hallux to reinstate the eternal faithfulness to love is all, to love is supreme. From the abdomen to the cradle of the neck, all muscles are promise to give support to the flexible rotating limbs. You squeeze some fluid morose the scarcelytock until it flattens to the dance of flirt and strays awayAway? Oh Not in the hands of ignoble men belonging to the immoral club but carried by the wind of romanticism with step similar to lofty ballerinas resembling Taglioni and Cerrito. No one basin describe that feeling better. No one can depict the imagination and express it in terms voiced to understand than the excellent flexible and portable ballerina with graceful moves, steps and turns that drive the heart of the audience to th e land of eternal bliss where romance reigns supreme.With the solo production of gracious music and the body movements on the heroic stage of wonders, from simple demi-plie to complex enchainement, one is swept off the feet, and travel to the ground only to open ones eyes to the earthly concern of the imagination. This is what ballet can. Indeed, it is the ultimate expression of the romantic imagination. If you check out the inwardness on display, the music that dictates and the serene environment that fills the hall, one comes to the conclusion that if high-flown opera were a god, it would bow when it sees ballet and exclaims I am owing(p) and gracious.I bring music in its serenity and divinity. I fill the cash dispenser with the grand performance of musicians, their notes and instruments. I do capture the imagination of romance in words and music lines but lack one amour the calculated moves and accurate body characters of the ballet dancer the language it speaks is farthe r more reaching than words it creates the imagination in acts eyes can behold, and sends the mind into the scene with a leader Is anything left to say? MATERIALS Fiero, Gloria K. The humane Tradition, Fifth Edition Volume 5, Chapter 29. Fonteyn, M. (1980). The magic of dance. BBC Books, London